Artists are often navigating the paradoxical aspects of art-making. It’s one of the many inherent characteristics of the creative process that keeps us engaged and challenged, sometimes in equal measure. For instance, we know the benefits of making a cohesive and consistent body of work, as well as working with a set of intentions to help guide us in that process. And we can simultaneously feel the impetus to move somewhere else with our work. We may be compelled to expand into new territory, take bigger risks, and follow a path that may be leading us away from where we have been. These are the drivers that propel our work forward, and we need to pay attention to them, even as they unsettle us. At times when we feel ready to evolve in our work – taking that step into the unknown once more – the question we need to hold is, how can we allow ourselves to expand into new territory while staying connected to our voice as an artist? There is also an important distinction to understand about this process of evolution in art-making. It is invaluable to build consistency in our artistic practice through coming to know who we are as an artist, and to make meaningful work. In order to do this we have to stay the course, even when it is uncomfortable, to develop our creative language, learn to work with intentions, and build a strong body of work that reflects our voice and offers us a solid working structure. We need to commit, focus, and recognize the inherent value of this approach to our creative work. What I mean by this is, when you have been focused on your development for a period of time – perhaps you’ve even had some measure of success for yourself – you may still feel restless and compelled to move elsewhere in your work. This restlessness can occur despite the fact that others recognize your work, you’ve made sales, had opportunities to show, and have a following. This can be a highly unsettling time for artists. If we’re not prepared to meet it well, as we need to do with all the paradoxical aspects of the creative process, we’ll find ourselves in a great deal of confusion and struggle. At these times we need to be Jedi Masters of the mind, separating out what is a “driver” in our art practice and what is a “limiter.”
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